Birth Name: Miya Ando

Born: United States of America

Nationality: American

Education: University of California, Berkeley, Yale University

Represented by Mead Carney

 

Miya Ando is an American artist whose metal canvases and sculpture articulate themes of perception and ones relationship to time. The foundation of Ando’s practice is the transformation of surfaces. A descendant of Bizen sword makers, she was raised among sword smiths and Buddhist priests in a temple in Okayama, Japan. Applying traditional techniques of her ancestry, she skillfully transforms sheets of burnished industrial steel, using heat and chemicals, into ephemeral abstractions suffused with subtle gradations of color. She says: “I have a deep appreciation for the dynamic properties of metal and its ability to reflect light. Metal simultaneously conveys strength and permanence and yet in the same instant can appear delicate, fragile, luminous, soft, ethereal. The medium becomes both a contradiction and juxtaposition for expressing notions of evanescence, including ideas such as the transitory and ephemeral nature of all things, quietude and the underlying impermanence of everything.”

Miya Ando received a bachelor degree in East Asian Studies from the University of California at Berkeley and attended Yale University to study Buddhist iconography and imagery. She apprenticed with a master metal smith in Japan, followed by a residency at Northern California's Public Art Academy in 2009. Ando is the recipient of many awards, including the Pollock-Krasner Foundation Grant in 2012. Her work has been exhibited extensively all over the world, including a recent show curated by Nat Trotman of the Guggenheim Museum. Miya Ando has produced numerous public commissions, most notably a thirty-foot tall commemorative sculpture in London built from World Trade Center steel which is installed permanently at Zaha Hadid’s Aquatic Centre in Queen Elizabeth Olympic Park in London. Her large-scale installation piece ‘Emptiness the Sky’ (Shou Sugi Ban) is featured in the 56th Venice Biennale, in the ‘Frontiers Reimagined’ Exhibition at the Museo Di Palazzo Grimani. 

Miya lives and works in New York, NY.